Volver is a little too long while "character building" sequences such as Raimunda's opening a restaurant provide additional definition for the protagonist, they interrupt the flow of the primary plot.
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The main storyline of Volver is engaging, but the film's seemingly random tangents will interfere with some viewers' enjoyment of the movie as a whole. Her dialogue is limited, but she's on screen for a large percentage of scenes, and she leaves an impression. (She had a small part in Talk to Her.) Newcomer Yohana Cobo proves to be a real find. With her wide eyes and bemused expression, Lola Duenas is a solid addition. Neither has any difficulty with the frequent shifts in tone. Returning "regulars" Penelope Cruz and Carmen Maura are in top form. Then there's the surprise appearance of Raimunda and Sole's mother, Abuela Irene (Carmen Maura), who makes her return from the dead in the trunk of Sole's car.Īs usual, Almodovar draws strong performances from all of his actors. Raimunda finds her true calling in life in operating a restaurant, but is doing so illegally. There's a death in the family that further complicates matters. There's a murder and Raimunda must figure out what to do with the body. She is an old neighbor of Raimunda and the two have a shared past.įrom this point, the plot spins off in numerous directions. Also among the tombstones is Agustina (Blanca Portillo), who is cleaning off the future site where she intends to be buried. They are caring for the graves of their mother and father, who died together four years ago in a fire. Here we meet Raimunda (Penelope Cruz) her sister, Sole (Lola Duenas) and her teenage daughter, Paula (Yohana Cobo).
Women are shown cleaning off headstones that are being covered by dust from a relentless windstorm. The film opens with a scene in a graveyard - appropriate for a ghost story.
His productions have become less garish, but he has lost little of his flair for the absurd. Along the way, there's plenty of off-center comedy. This is a little unusual for Almodovar, but he proves to be a master of this approach. We can't wait to see how certain things are going to turn out.
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Indeed, its lurid secrets and surprise revelations grip us in much the same way as a sudsy TV series. One could argue that Volver is a good soap opera. Although Volver has a tendency to stray too far down tangential paths, it is ultimately satisfying. This feature, which could be considered a ghost story, combines drama and absurdist comedy in the genre-bending manner Almodovar is known for. Although not on par with the Spanish director's best movies (which include Tie Me Up! Tie Me Down!,Live Flesh, All About My Mother, and Talk to Her), Volver represents a return to form after the disappointment that was Bad Education. His movies trumpet "A Film by Almodovar" with pride, and his latest, Volver, is no exception. His full name is Pedro Almodovar, but no one bothers with the first name, least of all Pedro. All the world is in love with Almodovar, or at least so he would have us believe.
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